Wednesday, 10 November 2010

Original Synopsis


Our first scene begins in a girls handbag from the point of view of her clown keyring.she gets home and places the clown key ring on her computer. As she is typing the eyes of the clown move. She notices this and jumps and throws it off the computer and it falls on the floor. She think its her mind playing tricks on her and goes downstairs to have a little break from her work. She goes back upstairs to continue typing on her computer and sees it sitting on her computer once again. More agitated now she picks it off the computer desk and throws it into the bin. She goes to bed and a new day begins as she wakes up (long shot from the clowns point of view) ( over the shoulder shot of the clown). She raises her head up and is horrified to find the clown there again and begins to scream wildly.

Through out this opening sequence it is from the point of view of the clown.

Second Group Meeting

Below you can see what the planned agenda was for, for our second group meeting. The following people are present: Taylor, Sam, Moe and Farah. 
Agenda
·         Synopsis
·         Storyboard – Draw-up
·         Location/ props + target audience
·         Characters
·         Roles

03/11/10
15:46
As a group we are discussing the synopsis and what is going to happen throughout our title opening sequence. Moe then writes down the initial ideas for our synopsis containing all of the information that will be includes within our title opening sequence such as movements and actions.
Also whilst doing this we managed to discuss the editing techniques that we will use in order to move the eyes of the toy clown within the opening moments of the groups opening sequence. This is then followed by the main character starting to notice that the clown is coming to life by fixating its eyes upon her face whilst she is typing on the computer.  
16:19 - We then watched a title opening sequence from Carousel which shows the ability to use a clown to create a dramatic scene and also a scene that the audience will want to watch. Also this video showed us that we can use these clown characters either to create a happy/evil vibe.
16:32 - Whilst discussing our ideas for the synopsis, we then added and also took away ideas from the actual story due to the new ideas being implanted into the story in order to make the film more dramatic for the audience.
16:42 - We then decided to film most of the title opening sequence from the perspective of the clown itself in order to capture more of the emotion of the main women character within our title opening sequence.

Monday, 8 November 2010

Thriller Title Opening Sequences

The information below shows a number of thriller title opening sequences which link to the genre of our groups final title sequence.





Catch Me If You Can - Title Opening Sequence


This title opening sequence shows the brief things which are both expected but also neccesary for a film in order to allow the audience to have an idea of who is starring in the film and who has made an input towards the making of the final film itself.

Also this title opening sequence shows a miniture story within itself of how the eventual film will pan out.













                                                This is a screenshot of this title opening sequence which shows who is the production company behind the creation of this entire film. 



Sin City - Title Opening Sequence

The short video link below shows the title opening sequence to the 2005 film Sin City which is a film that explores the dark and miserable town, Basin City, and tells the story of three different people, all caught up in violent corruption.



This opening sequence shows all of the actors/actresses who appear throughout the film and who also have an importance to the story told throughout the film.















The screenshot above shows the opening of this films title opening sequence which possibly gives off the image that there will be blood shed within this film because everything else is in black and white apart from the title "Sin City". Also the way in which this title is filled up with colour in and after this image looks as though blood is dripping into the text in order to give it colour in order to stand out to its audience.


Saw - Title Opening Sequence

The video below shows the tile opening sequence of the film Saw and this sequence gives the audience an idea of who will be starring within the film, which people have had an input towards the making of the film such as director etc.



This title opening sequence also has a linked relavacne to that of our own opening title sequence because both films start with the image of a clock giving the audience an idea that throughout the film people who will feature have limited time.  

Wednesday, 3 November 2010

Thriller Moodslide

The moodslide above shows images of which either helps to create a good thriller film or thriller films such as Psycho which are well-known thriller films that have changed the face of the thriller genre.






Title Opening Sequence Research

A title sequence is the method by which cinematic films or television programs present their title, key production and cast members, or both, utilizing conceptual visuals and sound. It usually follows but should not be confused with the opening credits, which are generally nothing more than a series of superimposed text.

History
Many films have used unusual and fairly elaborate title sequences since the 1930s. In the 1936 Show Boat little cut-out figures on a revolving turnable carried overhead banners on which were displayed the opening credits This opening sequence was designed by John Harkrider, who created the costumes for the original 1927 Broadway production of the musical.

In several films, the opening credits have appeared against a background of (sometimes moving) clouds. These include The Wizard of Oz (1939), Till the Clouds Roll By (1946), the David Lean Oliver Twist (1948), and the 1961 King of Kings.
In the 1947 Technicolor film Sinbad the Sailor, the letters of the opening credits seem to form from colored water gushing into a fountain.

In the 1959 Ben-Hur, the opening credits were seen against the background of the "Creation of Man" in Michelangelo's Sistine Chapel ceiling. As the credits progressed, the camera slowly zoomed in on the Hand of God outstretched toward Adam.


Example

These screenshots show the title opening sequence for the film The Fall. By doing this, this enables the audience to see by each scene what is exactly going on throughout the title opening sequence. 

This sequence shows the characters within the film, people who are staring or who are appart of the main film itself. Also this has helped the audience to build up an idea of what the film is going to contain/be about.

Monday, 1 November 2010

First Production Meeting

The First Official Discussion of Our Title Sequence

1/11/10

3 Initial Ideas

10:31

1) A clown based thriller in which children who are trapped in a school are each individually killed by the clown. This idea originated from the clown thriller which is IT the Clown. This film is based around a Clown who manages to be in the right place at the right time.

2) A love triangle based thriller which involves three friends who have known each other from a young age and two of them have suddenly developed a more in-depth relationship between them. This ends up with these two presenting their feelings for one another to their final friend who we then find out has had secret feelings for one of these characters as well therefore creating a dramatic twist.

3) The final idea we had was based around a Cyber Death which involves a young women who through depression, meets a young male online which towards the end of the storyline, leads to her down fall.


10:42- Discussions then lead to the idea of enhancing our clown based thriller to life by creating ideas such as the opening scene of one character being introduced to the clown suddenly whilst they’re interrupted by the clown.

10:50- Plans then to make sure that we as both individuals and as a group are on the same page as each other by agreeing that we are all both focused and ready to further develop these ideas in order to get to the next stage of our audio/visual production. We’ve also decided that we will have to finish on a specific date in order to then make sure that we all can be free to film our final audio/visual product. 10:34am- The names of the participants present at this meeting: Farah, Sam, Taylor, Moe.

Within this meeting we had to discuss the ideas we had for the audio/visual product of the group. Moe who has missed the previous discussion we had is now being updated by Sam.

Monday, 18 October 2010

Hitchcock Summary


STEP 1: It's the Mind of the Audience
                    This is based on the fact that the atmosphere needs to be set for the audience in order to make sure that they feel the full effect beign portrayed by the characters within the film. 


STEP 2: Frame for Emotion
                     This involves making sure that the right camera shots/angles are used in order to show the emotion of each character within an important scene. By doing this, this means that the audience is able to become emotionally invovled with the piece of film they are being shown.


STEP 3: Camera is Not a Camera 
                This means that making sure the audience can see what is going on through the eyes and the experience of each character within the audio/visual sequence.


STEP 4: Dialogue Means Nothing 
              This step means having the ability to tell a story without the characters actually saying anything. By doing this the audience is able to create the story in their minds and this creates the possibility of being thrown off the story to be shocked later on.


STEP 5: Point of View Editing
              This means putting an idea into the mind of the character without explaining it in dialogue is done by using a point-of-view shot sequence.You take the eyes of the characters and add something for them to look at. 


STEP 6: Montage Gives You Control
              This step means being able to create and build up the suspense of a story by putting together close-ups of different parts within the audio/visual product in order to create a more dramatic effect for the audience.


STEP 7: Keep the Story Simple!
              This basic step means being able to both create a strong story whilst also being able to control the story/idea in making sure that the storyline is both not too confusing but isn't also too boring for the audience.


STEP 8: Characters Must Break Cliché 
                     This means having the ability to make the audience become intreged by the audio/visual product by creating new stereotypical characteristics of the characters within the film. This includes such things as making criminals wealthy upper class citizens whom you’d never suspect etc.


STEP 9: Use Humor to Add Tension
              This step insists that by adding a sense of humor to a thriller means being able to create a different type of unexpected tension within the film. For example, "In Marnie, Tippi Hedren is stealing money from an office safe and is just about to leave when she notices the maid happens to be cleaning in the next room".


STEP 10: Two Things Happening at Once 
                 This involves building tension into a scene by using contrasting situations throughout the video sequence in order to create a more interesting storyline for the viewing audience. 


STEP 11: Suspense is Information 
                This means enabling the characters to create suspense by showing the audience a scene which presents a suspensive story and enabling the audience to create an idea of the ending of the film. Although whilst doing this the characters need to carry on as if they don't know about the suspense scenes that have occured whilst they've been off stage.  “The essential fact is to get real suspense you must let the audience have information." --Alfred Hitchcock


STEP 12: Surprise and Twist 
                This element means being able to create a storyline for the audience to follow but then turn their ideas upside down in order to create a dramatic effect in order to make sure that the audience is surprised by the storyline they're now being shown.

STEP 13: Warning: May Cause MacGuffin
                The purpose of MacGuffin is to serve a pivotal reason for the suspense to occur.This means making sure that the storyline makes sense to the audience in order to create the best possible dramatic effects.