The information below shows a number of thriller title opening sequences which link to the genre of our groups final title sequence.
Catch Me If You Can - Title Opening Sequence
This title opening sequence shows the brief things which are both expected but also neccesary for a film in order to allow the audience to have an idea of who is starring in the film and who has made an input towards the making of the final film itself.
Also this title opening sequence shows a miniture story within itself of how the eventual film will pan out.
This is a screenshot of this title opening sequence which shows who is the production company behind the creation of this entire film.
Sin City - Title Opening Sequence
The short video link below shows the title opening sequence to the 2005 film Sin City which is a film that explores the dark and miserable town, Basin City, and tells the story of three different people, all caught up in violent corruption.
This opening sequence shows all of the actors/actresses who appear throughout the film and who also have an importance to the story told throughout the film.
The screenshot above shows the opening of this films title opening sequence which possibly gives off the image that there will be blood shed within this film because everything else is in black and white apart from the title "Sin City". Also the way in which this title is filled up with colour in and after this image looks as though blood is dripping into the text in order to give it colour in order to stand out to its audience.
Saw - Title Opening Sequence
The video below shows the tile opening sequence of the film Saw and this sequence gives the audience an idea of who will be starring within the film, which people have had an input towards the making of the film such as director etc.
This title opening sequence also has a linked relavacne to that of our own opening title sequence because both films start with the image of a clock giving the audience an idea that throughout the film people who will feature have limited time.
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